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唐纳德·克里斯普,巴斯特·基顿导演执导的《航海家》,1924 年上映,由巴斯特·基顿 凯瑟琳·麦奎尔 弗雷德里克·弗鲁姆 Clarence Burton H.N. Clugston 诺贝·约翰逊 等主演的航海家在美国发行,豆瓣评分和口碑都很不错,航海家手机在线观看等资源均是网络收集而来。一部不错的其它动作片。
Wealthy Rollo Treadway (Buster Keaton) suddenly decides to propose to his neighbor across the street, Betsy O'Brien (Kathryn McGuire), and sends his servant to book passage for a honeymoon sea cruise to Honolulu. When Betsy rejects his sudden offer however, he decides to go on the trip anyway, boarding without delay that night. Because the pier number is partially covered, he ends up on the wrong ship, the Navigator, which Betsy's rich father (Frederick Vroom) has just sold to a small country at war. Agents for the other small nation in the conflict decide to set the ship adrift that same night. When Betsy's father checks up on the ship, he is captured and tied up by the saboteurs. Betsy hears his cry for help and boards the ship to look for him, just before it is cut loose. The Navigator drifts out into the Pacific Ocean. The two unwitting passengers eventually find each other. At first, they have great difficulty looking after themselves, but adapt after a few weeks. At one point, they sight a navy ship and hoist a brightly-colored flag, not realizing it signals that the ship is under quarantine. As a result, the other vessel turns away. Finally, the ship grounds itself near an inhabited tropical island and springs a leak. While Rollo dons a deep sea diving suit and submerges to patch the hole, the black natives canoe out and take Betsy captive. When Rollo emerges from the ocean, the natives are scared off, enabling him to rescue Betsy and take her back to the ship. The natives return and try to board the ship. After a fierce struggle, Rollo and Betsy try to escape in a small dinghy. It starts to sink, and the natives swiftly overtake them in their canoes. Just when all seems lost, a navy submarine surfaces right underneath them and they are saved.。
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开头交代背景。之后是阴错阳差的海上“蜜月旅行”。遇到救兵却又因误会错过。
以前的人都乱丢烟头,并且不熄灭的吗?
互相追逐想找对方那段,很《恐怖游轮》。
划船追赶的BMG很熟悉啊。
高空跳水这个是来真的,基顿真的很拼命。
湿身诱惑。
画像那个笑死。事实证明,人吓人真的是可以吓死人。
一排门开启、关闭,很恐怖片。
玩牌这个很无聊,虽然是想苦中作乐。
接下来又到基顿展示各种半自动餐饮日常发明的时间。
危机再次降临。
遭遇原始部落。
“人舟”这个太无厘头了。
椰树梯子这个好有创意。想起印度神片《巴霍巴利王》里有“树弓”这一神武器,好像也是椰树。
潜水艇真是神仙救兵。
这个片子还说明了一个真理:向女孩子求婚得选择一个合适的时间。
夜,茫茫大海,孤舟,一男一女,未知的危险(各种天灾人祸)。这个片子可以说开了恐怖动作片的先河。
jcCTVA 310
Tim Halloran
27 September 2017
A Short Review of “Sherlock Jr.” and “The Navigator”
On September 21st, 2017 at 7 PM, I watched two remarkable films, namely “Sherlock Jr.,” and “The Navigator.” They were mainly produced, acted, and directed by the same person, Buster Keaton in 1924. These two films are typical examples of Buster Keaton’s featured style, a romantic, comedic silent film with a happy ending. The setting of mise en scene and the storytelling skills that Buster Keaton used are forward and experimental.
“Sherlock Jr.” and “The Navigator” are romantic silent films and their characters share similar goals, chasing the love of their life. In detail, Buster Keaton in "Sherlock Jr." acts as a poor theatre worker who has to compete with a rival in love (a thief) and try to engage with a woman. At the end of the film, the theatre worker gets back together with the woman even though he was framed by his rival and asked to leave the woman alone. In "The Navigator," Keaton acts as Rollo Treadway, a man who goes on a honeymoon alone after failing to marry his dream wife. However, Rollo inadvertently meets a woman on a ship and they embark on a risky journey, but Rollo gets a kiss from the woman at the end. "Sherlock Jr.” and "The Navigator" both end in happiness: the protagonist gets together with the love of his life.
Although these two features have a different story setting and character backgrounds, their main roles still play similar characters. For instance, Rollo Treadway in "The Navigator" is an honorable man who was born in a first-class family, whereas the theatre worker in "Sherlock Jr." is poor and debased. They live in a different world but share similar personalities. They never laugh, but they are sincere and both have a warm heart. Nonetheless, they are not good at putting their ideas across and pleasing others; these protagonists in different classes still share similar characteristics: they are both unsmiling and inarticulate, but sincere.
The most remarkable scene that Keaton directed is the dream scene in "Sherlock. Jr." The scene takes place at a classical theatre, which is on a movie screen stage. These dream sequences wherein the theatre worker walks in or out of the movie screen were very dramatic; the continuity of editing was also an excellent arrangement and the actions were perfectly matched.
Overall, “Sherlock Jr. " and "The Navigator" are typical examples of Buster Keaton’s featured style, brought forward in both films. Before I took part in the retrospective of “Sherlock Jr. ", I had seen some of Keaton’s feature films, namely "The Saphead," "Three Ages," "Our Hospitality" and several of his short films. However, the night of September 21st, 2017 became my best silent film experience. I love the feature of "Sherlock Jr." Furthermore, the retrospective of Buster Keaton's features also made me one of Buster Keaton’s enthusiasts.
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